Poetry: Greek God on a Tube Train
As mentioned in my previous posting, Musings- Creativity and Cold! here is the poem that I wrote in September 1980. Perhaps I should set the stage a little. I had returned to live in England in October 1978 having lived the previous ten years of my life on the beautiful island of Sardinia. Sardinia is located about forty minutes flying time due west of Rome in the middle of the Mediterranean Sea. It is an Italian island.
The weather there is fantastic. Hot and sunny from mid-May through to mid-September. Delightfully warm and sunny from mid-March through to mid-May and again from mid-September through to the end of November. There are a few exceptions to these time lines but they are just that, exceptions. Winter lasts from December till mid March but is not so cold as to be brutal, nor is it so rainy as to be continuously miserable. I remember sunbathing many times in January and February.
So to adjust to England’s climate when I returned to the UK in late 1978 was difficult to say the least. The culture and way of life was also problematic and frequently I found myself spiraling downwards on the emotional level as I tried to stay positive and live up to my nick-name – Sunny!! One day as I sat on the underground train going to work I was struck by my sense of isolation and felt myself being swallowed up by and absorbed into a daily “grayness”.
Each person in my carriage was totally closed in on themselves. Nobody looked at anybody else. It was as though each one of them was enclosed in one of those glass domes that are used to protect special dolls or statues. I found myself reacting to this by going in on myself – under my own glass dome. But suddenly there was a moment of “aliveness” which brought me back into my real self. The following poem describes that incident.
GREEK GOD ON A TUBE TRAIN
Somber blue, black and gray pinstripes
Seated in uniform regularity
The full length of the carriage,
Like regimental toy soldiers on an assembly line
Waiting to be dispatched, briefcase in hand,
To equally somber banks.
Dead-pan, pallid faces devoid of emotion,
Set above their city suits.
Bored, I stare ahead, merging into the nothingness
That surrounds me.
The train stops, doors open and close,
And suddenly my eyes are shocked wide open
By a non-conformity in this sea of gray monotony.
There he sits, or rather lounges,
A healthy sun-tanned lean Greek god,
In indolent disarray.
Tight jeans mould to his masculinity,
And he wears an open neck shirt from which spills
A heavy gold chain nestling in luxurious hair.
His dark and heavy-lidded eyes smolder
As they roam lazily over my femininity,
And I welcome his bold male gaze in the midst of such insipidness.
London, 24 September 1980